Tuesday, January 31, 2023

Pole Practice – The Evolution

 I love going for pole prac because it gives my brain and body the time to process whatever I’d learned in class. Class moments are always slightly panicky, where you barely hear your teacher’s instructions and you’re just instinctively grabbing on with a random limb in order not to fall and die. Or even just to do a pirouette - ugly as it was, at least you turned on cue, right? But you do want to do it the right way eventually. And that’s why I enjoy the space that pole prac gives me.


How it started

The strength and mind-body connection of pole was a struggle for me. I was (still am) overweight and I’d never done weight training stuff consistently. I was dying to nail the moves and I knew that relying on just class time wasn’t gonna cut it. I’m also a compulsive planner. So I made a list of moves I would practise, along with the time I would spend on each:

List of pole tricks with a timed plan of what to do during pole practice
I started with the exact same warmup the teacher went through in class, then I slowly and nervously started practising the tricks. I then realised the tricks+time to spend wasn’t the best plan, so I made myself do each trick three times on each side. For tricks I couldn’t do yet, like cradle spin or spin climb, I had to do three good attempts per side. After I was done with tricks, I’d run through the class choreo at least twice. I just felt like three times a side was sufficient to prevent half-assing the trick due to penat (tiredness), leading to possible injury. Cradle was especially hard because I couldn’t find the right positioning to avoid overloading my bottom wrist.

Of course, during beginner days, there weren’t that many moves to train, plus I didn’t know how to connect the moves into combos, so I had plenty of time to kill during the standard 90-minute pole prac. It was a lot of do this trickfail look nervously around sit and watch the video playback try again. These days, I don’t even have time to watch my videos properly until I’m in the bus home.


Intermediate Ain

Finally got the hang of spin climb, so I moved on to the next level, yay! My pole vocabulary expanded with the ankle grabs and choppers in tricks class and floor moves in chair and exo classes. Suddenly I needed to not be shy and ask random people to spot me during my invert and handstand attempts. (The nicer random people offered to spot me when they saw me struggling <3) Or use the mats, which I found useless for handstands since there’s no wrist support. Unless your mat is extra firm? Idk. Also, inverts are hard so there’s a lot of conditioning required. As my pole vocab grew, I became more interested in creating choreos and freestyling to my favourite songs, instead of the instructor’s chosen songs. So now the second half of my pp time was spent doing dancey stuff – practising class choreos, freestyling, and making up my own choreos.


Home pole

The silver lining in the dark cloud of Covid-19 was the arrival of my home pole in May 2020! Again, a billion thanks to my parents for allowing me to have one in their space, and for helping me put it up! What a game changer. I could listen to my own music all day and practise dumb things without fear of judgement. (Yes, I fear judgement.) I was able to do lunchtime pole prac every single workday! The pole room has no aircon, though, so I would do tricks for 10-15 mins before getting too sweaty and moving on to dance stuff for the rest of the session. Still! I came up with some fun routines during that period.

 I continued to book studio pole prac, maybe once a fortnight, so I could get the floor space, heels slideablity, and aircon that my home pole didn’t allow.

I break down my home pole stuff in this PompanJoget post.


Advent of private practice studios  

My life changed even more dramatically when the first private pole practice studio, Sirene, opened in late 2020! A safe space with proper floors and a proper mirror to climb and dance however I wanted? Sign me up! With careless abandon, I just started doing whole-studio bookings for just myself and.. I’ve never looked back. I did try booking a single pole a couple of times, but I found it mildly stressful to keep the other person(s) in mind spatially and musically and.. Nope. Whole studio it is. Sometimes I invite my friends, if they’re free to join me! But I really enjoy this time to explore by myself and do silly shit like my M Nasir tarian thing and afrobeats warmups and random ballet turns across the floor.

I promise that I’m using the time productively and that I’m not just taking a nap or browsing IG for half the session. Now my general goals had shifted from just “attain the level tricks, clean up class choreos, create your own stuff” to “attain the level tricks, clean up class choreos, film a nice run of class choreos, create your own stuff”. It takes me about three takes to get an okay run of class choreo, so that’s almost a third of the session. Overall, that looks like:
  • 15 mins – warmup
  • 20 mins – tricks (still doing the three good attempts approach)
  • 20-30 mins – run through and film the class choreo
  • 20-30 mins – do fun stuff (take cute pics, freestyle, choreograph something)
  • 10 mins – pack up and go!

How it's going

As I get more comfortable with pole, my general goals are now in the “do what makes you happy” region. So there’s still a lot more dancing than tricks practice. When booking choreo classes, 70% of the ones I choose are somewhat in my comfort zone so that I don’t really need to spend pole prac time on them. (“Comfort zone” = old school/slinky stuff with no inverts; “Anxiety zone” = anything with inverts, dancing in heels without holding a pole, contemporary stuff.) For home pp, I spend half an hour foam rolling (SO GOOD) then practise mainly tricks and some floor inversions (shoulder stand, elbow stand, handstand), and skip the heels dancing entirely so that I don’t have to remove the foam mats from around the pole.

I still book at least one studio session every two weeks to do the fun stuff. It’s the best form of me-time. Every pp session has a mental to-do list. Last Friday it was:
  • 2 chair-pole contemp combos (right side)
  • 2 aerial invert attempts (left side)
  • Other chair-pole trippy tricks/moves (spiral, soutenu or whatever that turn is called)
  • 2 runs of chair-pole, including 1 with the invert combo at the end
  • 1-2 runs of Este Old Skool choreo
  • 1x PJ bottoms dancing
And I’m happy to report that I managed all of it! Although all the aerial inverts didn’t reach the V-stage. I refuse to dwell on them for the entire session though, because tricks are boring and dance is fun!

Here's how a typical fortnight looks like for me:

Week

Sun

Mon

Tue

Wed

Thu

Fri

Sat

1

Rest

Class

Studio PP

Class

Class

PP@home

Rest

2

Rest

-Class

-Studio PP

Rest

Studio PP

Class

PP@home

Rest

See? It’s not that many pole pracs, right?

Saturday, January 07, 2023

BGT - Final Thoughts

 I wanted to blog yesterday - something like a "day before the competition" check-in post, but I completely forgot what I wanted to write about. 

So here I am, 8 hours after the competition ended! 

Moodboard pic

Here's the "mood board" I created of how I envisioned my performance to be like. Miss Fisher of Miss Fisher's Murder Mysteries because I love her forever, Jessica Rabbit in her iconic rendition of Why Don't You Do Right, and Cyd Charisse in almost anything. Beads and pearls and other things that shine, and the China doll cap of hair that Miss Fisher sports. 



And here's what I ended up with in the end. I got my hair cut short to sorta match Miss Fisher's hairstyle, but didn't go for the straight bangs because I sweat a lot, and it would have ruined the look anyway. It's incredible just how many things there are to stress about in a performance - whether your pussy lips will peek out, whether your hair will obscure your face when you're making a cool expression, whether your top might come unzipped. So although I bought two lovely headpieces that matched my mood board, I decided not to wear them for the performance. I didn't want to spend another precious 20% of my brain space fretting over whether a headpiece would stay in place. Also, I would need copious amounts of hairspray to keep my hair looking neat. Malas beb.

Day of

Everyone was really nice and supportive of each other and I loved that. And generally, I didn't feel any nerves, until it came time for me to walk on "stage". They start off asking you to introduce yourself and answer a question like "Why did you start pole dancing?" and "How has pole dancing changed your life, if at all?" I detest public speaking. Like, I really do. You can make me dance anything in front of a bunch of strangers, but for me to talk to them about myself? I hated it. I was trying reaaaalllly hard not to cry, but too bad my voice was shaking despite my efforts. I drew strength from my beautiful smiling friends though - Christine and Cynthia, thanks for showing up for me these past weeks and today!! Toxotic gang is truly one of the best things I have gained from pole dancing. 


Anyway, I performed. Stumbled a bit at the start, but I thought the rest of it was great. I really do adore performing. I like to play a character and shove it in the audience's face. I need to be playing a character on stage in order to feel comfortable - I can't just be me, lol. That's how it has always been. 

When we went back in for the results, I wanted to just schlep in in my Exowear jumpsuit, but Farhana stopped me, thankfully. But I was malas to put my heels back on because I'm not gonna win anything, after all. I even mentally reminded myself to practise my Gracious Loser face. 

So I was really shocked when they announced my name for second runner-up! Immediately started tearing up, which might explain why I look so tortured in my photos with Viv. I'm so happy and proud that my lil chorey and my execution of it got me placed! It was truly all I could have hoped for, after seeing all the amazing performances by the other competitors. 

Y'all wouldn't believe how much money (on sequined top, Pearl's Hill Studio whole studio bookings, random tools like styling mousse and mascara, and of course the headpieces I didn't wear), tears, and brain space (including multi-tasking during work hours to think through my routine) I have poured into this competition. Admittedly, most of this pouring is because of my own standards, and not the studio/judges forcing anything. But.. Yeah this is just how I tackle things - I kind of put my all and more into it. So I'm really thankful for the result, and I would like to compete again someday, but only after I've gotten stronger (as in, can aerial invert beautifully 100% of the time, plus maybe shouldermount). 

Anyway, there's no Exo Gen category for Campy Burlesque Extravaganza yet. 😜

Bye bye Studio 1!

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